The duo delivers more of the same, but that isn’t necessarily a bad thing

In 2017, Forrest Frank and Colin Padalecki had a small idea to create their summer soundtrack. This idea would blossom into something much greater than either of them could have imagined; it was something that would become known as Surfaces to people worldwide.

Over the past three years (and two albums later) they’ve gained quite the following, amassing nearly 14 million listeners on Spotify alone. Fans have often compared them to other indie and pop acts such as Rex Orange County, Sugar Ray and Khalid.

Their sound resembles something that was created on a California beach during sunset. Nobody would believe they’re from Texas based on their music. The duo is known for creating catchy, feel-good music that pushes the norms of the indie-pop genre.

Having released four tracks beforehand, the duo returns with their third album, “Horizons,” which may be their most melodic album yet. The “ocean vibes” they have implemented in the past are in full force this time around.

They have also taken influence from the rising popularity of hip-hop and trap beats, as certain elements have been very slightly intertwined and implemented over the new project.

While the beach and summer sounds are always encouraged by fans, it’s more of the same recycled elements from the first two projects. While this isn’t necessarily bad, longtime fans are yearning to hear something new, creative and original for the first time from them since their breakout in 2017.

To the duo, the repetitiveness may have helped them improve their skills in what they know best, but breaking out of their typical sound may be a nice change for all.

Along with similar-sounding beats, the lyrics have also become repetitive. Lead singer Frank croons about sunshine, freedom from stress and endless “good days.” While Frank’s voice is stellar, there is an immense lack of lyrical depth. The combination of his recycled lyrics and overpowering beat causes Frank to turn into mere background noise.

If all three of their albums were shuffled together, it would be hard to tell if a song was on their first album or their latest project. The band has been stagnant in quality since their first successful album, with fans pleading them to find a way to break out of the torturous plateau it seems they’re stuck in.

While the group seems more than content in releasing their music at its current quality, a progressive change of pace in both beats and lyrics may be in the duo’s best interest. Their sound is something that has drawn in millions of fans and it would be a shame to see that go to waste over a lack of effort.

This sound has propelled them to become a well-known name among the indie-pop culture, yet it may be time to go back to the drawing board before another repeat in sound on their next project.

For as good as this album is, it’s equally repetitive, lazy and unoriginal. While the music is no less enjoyable and relaxing in anticipation of summer, it may be their last shining moment if nothing changes.

Review: 2.5/5